{"id":266,"date":"2021-05-20T06:06:26","date_gmt":"2021-05-20T06:06:26","guid":{"rendered":"https:\/\/www.sonicsketchbooks.net\/?page_id=266"},"modified":"2024-03-17T10:33:50","modified_gmt":"2024-03-16T23:33:50","slug":"visual-episode-guide","status":"publish","type":"page","link":"https:\/\/www.sonicsketchbooks.net\/index.php\/visual-episode-guide\/","title":{"rendered":"visual guide"},"content":{"rendered":"\n
\n
\n
\"\"<\/a>
introduction<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Jon McCormack<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
stacks residency<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
quivering marginalia<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Laura Altman<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
1988 cassettes<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
drawing workshop<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Japan 2018<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
platform performances<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
RodeRec app<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
economic botany <\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
SOMA emf<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
sorte muld emf<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
below<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Hiroshima<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
crypto morph<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Quicktime mixes<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
chordata<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
and I wondered…<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
the unknown is…<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
it is a microphone<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
darkness<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
…any trees<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
snow<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
pleximetries<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
polytonal wander<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
aleatoric ensemble<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
dreamfield 48\/15<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
sonic event<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
soundtracker<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Kyoto 2014<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Jeff Doring<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Leber + Chesworth<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
electronica<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
cryptic lamellaphone<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Bundanon<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
colourforms<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Kanazawa<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
new composition<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
morphagene<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
fragments<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
palimpsest<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Soundplant<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
january 2022<\/figcaption><\/figure>\n\n\n\n
\"\"
reading john berger<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Eugene Carchesio<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
strangeness<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
overheard<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
tumble<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
breathless<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
birds, wind<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
two sketches<\/figcaption><\/figure>\n<\/div>\n\n\n\n
\n
\"\"<\/a>
first emperor<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
untitled intuitions<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
clocks + clouds<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
origma reserve<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Virginia Hilyard<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
sonic-kinetic works<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Bundanon residency<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
deep reading<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
binaural experiments<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Kyoto<\/figcaption><\/figure>\n\n\n\n
\"\"
Umeda workshop<\/figcaption><\/figure>\n\n\n\n
\"\"
unidentified sounds<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
to higher ground<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
drone<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
digital dusk<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
80s cassettes<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Lyra8<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Tanja<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
borderlands<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
vespertine<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
grumbling flowers<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
uncertainty<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
adrift<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
cicada song<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
John Cage 111<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
UTC<\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

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