{"id":646,"date":"2023-01-23T12:43:13","date_gmt":"2023-01-23T01:43:13","guid":{"rendered":"https:\/\/www.sonicsketchbooks.net\/?page_id=646"},"modified":"2023-01-23T12:58:37","modified_gmt":"2023-01-23T01:58:37","slug":"72-2","status":"publish","type":"page","link":"https:\/\/www.sonicsketchbooks.net\/index.php\/72-2\/","title":{"rendered":"72"},"content":{"rendered":"\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless-1024x1024.jpg\" alt=\"\" class=\"wp-image-638\" width=\"512\" height=\"512\" srcset=\"https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless-1024x1024.jpg 1024w, https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless-300x300.jpg 300w, https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless-150x150.jpg 150w, https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless-768x768.jpg 768w, https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless-1536x1536.jpg 1536w, https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless-1568x1568.jpg 1568w, https:\/\/www.sonicsketchbooks.net\/wp-content\/uploads\/2023\/01\/SoSk_72_breathless.jpg 2048w\" sizes=\"auto, (max-width: 512px) 100vw, 512px\" \/><\/figure><\/div>\n\n\n\n<p style=\"font-size:17px\"><br>release date: 27 december 2022<br>listen to episode 72 <a rel=\"noreferrer noopener\" href=\"https:\/\/soundcloud.com\/sonic_sketchbooks\/72-sonic-sketchbooks-breathless\" target=\"_blank\">on soundscloud<\/a><br><br>COVID-19 has left me a nagging discomfort, an occasional slight distress of being breathless.<br><br>\u2018Breathless\u2019 the English-language title for Jean-Luc Godard\u2019s breathtaking 1960 cinematic experiment \u2018A Bout de Souffle\u2019 with its charismatic stars Jan Sieberg, Jean-Paul Belmondo, mid-20th century Paris and Godard\u2019s slap-in-the-face stylistics.<br><br>\u00a0He called his many films postcards and insisted they had no greater meaning than the direct experience of seeing and hearing them and whatever that might provoke within each person and amongst and between them collectively, afterwards<br><br>Not long ago I chanced upon &#8211; or rather, an algorithm offered to me &#8211; a video interview with Godard made not long before he left this mortal coil in 2021. His voice was breathless, evaporating before my ears &#8211; not surprising as he sat in a doorway joyfully smoking a cigar worthy of Castro. He was speaking his native language, French, in a feature-film length interview with the unseen interlocutor a strident confident young male voice born long after \u2018A Bout de Souffle\u2019 had receded into cinematic legend. I could understand none of what was being said but Godard\u2019s defiant nonagenarian mannerisms and the cadence and carefree struggle of his speech mesmerised.<br><br>A year ago I stood on the shore of an east coast national park embayment, slightly before dawn, holding one of my digital recorders to capture the rhythmic sounds of small waves breaking on sand, the stridulations of unseen crickets secreted amongst dew-speckled dune grasses and the songs of awakening avian life in the rainforest pocket behind me. The situation was cold, dark, and under headphones made transcendent.<br><br>There\u2019s an iPad app I have &#8211; downloaded from the John Cage dot org website &#8211; that presents a randomisable grid of samples of prepared piano that can be played by touching the cold glass surface of that chimerical device, a curious puppetry.<br><br>We are fortunate to live in the remaining time of birds, the time just before many of their immaculate voices will be sequentially swallowed into the maelstrom of extinction stirred up by our billions of human desires and fears.<br><br>Listen to the birds, they have nothing intelligible to say\u2026<br><\/p>\n","protected":false},"excerpt":{"rendered":"<p>release date: 27 december 2022listen to episode 72 on soundscloud COVID-19 has left me a nagging discomfort, an occasional slight distress of being breathless. \u2018Breathless\u2019 the English-language title for Jean-Luc Godard\u2019s breathtaking 1960 cinematic experiment \u2018A Bout de Souffle\u2019 with its charismatic stars Jan Sieberg, Jean-Paul Belmondo, mid-20th century Paris and Godard\u2019s slap-in-the-face stylistics. \u00a0He&hellip; <a class=\"more-link\" href=\"https:\/\/www.sonicsketchbooks.net\/index.php\/72-2\/\">Continue reading <span class=\"screen-reader-text\">72<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-646","page","type-page","status-publish","hentry","entry"],"_links":{"self":[{"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/pages\/646","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/comments?post=646"}],"version-history":[{"count":3,"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/pages\/646\/revisions"}],"predecessor-version":[{"id":658,"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/pages\/646\/revisions\/658"}],"wp:attachment":[{"href":"https:\/\/www.sonicsketchbooks.net\/index.php\/wp-json\/wp\/v2\/media?parent=646"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}